Opening night of Salome at the Bayerische Staatsoper

© Geoffroy Schied

And now – separated in a box that she drags back and forth, that she rattles and shakes – she takes Jochanaan’s kiss, lovingly, vengefully, triumphantly. Her vocal fervor over the bitter, bloody lips of the prophet’s head intensifies into a fury of her own lust and the mockery of her victim. Thanks to Grigorian, the visually unappetizing scene becomes a cooing, glowing, luxuriously hysterical auditory feast. And the audience didn’t let it unsettle them. Shouts and cheers erupted when the curtain rose once more, just for AG
— Augsburger Allgemeine, Rüdiger Heinze

Photos from the opening night of Salome at the Bayerische Staatsoper conducted by Thomas Guggeis.

Next concert dates:

February 26

March 1

March 5

She ... [succeeded] in energizing, motivating, and captivating everyone else on stage and in the pit ... Music, staging, and acting, instrumental and vocal parts, all whipped each other into a frenzy; the State Orchestra, under the decisively conducting Thomas Guggeis, was ablaze with energy, and Herod’s family in the orchestra pitted themselves with relish. It was truly a stellar performance.
— Augsburger Allgemeine, Rüdiger Heinze
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Gala with Dmytro Popov in Thessaloniki